Thursday, May 28, 2009

First Independent Theater Blogger Awards Announced


Greetings, Rushers! I am extremely excited to announce the winners of the first Independent Theater Blogger Awards for the 2009 theater season. ITBA is the first official organization of theater bloggers, a group that I am honored to be a part of.

BROADWAY

BEST BROADWAY PLAY
Reasons To Be Pretty

Written by: Neil Labute
Directed by: Terry Kinney
Produced by: Jeffrey Richards, Jerry Frankel, Gary Goddard Entertainment, Ted Snowdon, Doug Nevin/Erica Lynn Schwartz, Ronald Frankel/Bat-Barry Productions, Kathleen Seidel, Kelpie Arts, Jam Theatricals, Rachel Helson/Heather Provost and Scott M. Delman

BEST BROADWAY MUSICAL
Billy Elliot

Music by: Elton John
Lyrics by: Lee Hall

Book by: Lee Hall
Directed by: Stephen Daldry
Produced by: Universal Pictures, Working Title, The Old Vic Company, Tim Bevan, Eric Fellner, Jon Finn and Sally Greene

BEST BROADWAY REVIVAL OF A MUSICAL
Hair

Music by: Galt MacDermot
Lyrics by: James Rado, Gerome Ragni
Book by: James Rado, Gerome Ragni
Directed by: Diane Paulus
Produced by: The Joseph Papp Public Theater / New York Shakespeare Festival, Jeffrey Richards, Jerry Frankel, Gary Goddard Entertainment, Kathleen K. Johnson, Nederlander Productions, Fran Kirmser Productions/Jed Bernstein, Marc Frankel, Broadway Across America, Barbara Manocherian/Wencarlar Productions, JK Productions/Terry Schnuck, Andy Sandberg, Jam Theatricals, The Weinstein Company/Norton Herrick and Jujamcyn Theatres

BEST BROADWAY REVIVAL OF A PLAY
The Norman Conquests

Written by: Alan Ayckbourn
Directed by: Matthew Warchus
Produced by: Sonia Friedman Productions, Steven Baruch, Marc Routh, Richard Frankel, Thomas Viertel, Dede Harris, Tulchin/Bartner/Lauren Doll, Jamie deRoy, Eric Falkenstein, Harriet Newman Leve, Probo Productions, Douglas G. Smith, Michael Filerman/Jennifer Manocherian and Richard Winkler

OFF-BROADWAY

BEST OFF-BROADWAY MUSICAL
Fela!

Book by: Jim Lewis and Bill T. Jones
Directed by: Bill T. Jones
Music and Lyrics by: Fela Anikulapo Kuti
Add'l Music by: Aaron Johnson and Jordan McLean
Add'l Lyrics by: Jim Lewis
Produced by: Ruth and Stephen Hendel and Roy Gabay

BEST OFF-BROADWAY PLAY
Ruined

Written by: Lynn Nottage
Directed by: Kate Whoriskey
Produced by: Manhattan Theatre Club and Goodman Theatre

BEST OFF-BROADWAY REVIVAL (PLAY OR MUSICAL)
Our Town

Written by: Thornton Wilder
Directed by: David Cromer
Produced by: Scott Morfee, Jean Doumanian, Tom Wirtshafter, Ted Snowdon, Eagle Productions, Dena Hammerstein/Pam Pariseau, The Weinstein Company, Burnt Umber Productions

BEST OFF-OFF BROADWAY PLAY
Universal Robots

Written by: Mac Rogers
Directed by: Rosemary Andress
Produced by: Manhattan Theater Source

BEST OFF-OFF BROADWAY UNIQUE THEATRICAL EXPERIENCE
Suspicious Package

Written by: Gyda Arber & Aaron Baker
Directed by: Gyda Arber
Produced by: The Fifth Wall as part of The Antidepressant Festival

CITATION FOR EXCELLENCE IN OFF-OFF BROADWAY THEATER
Flux Theatre Ensemble

The ITBA (Independent Theater Bloggers Association) was formed in 2009 by a group of the most passionate theater bloggers on the World Wide Web (partial list below). The members of the Association blog about all aspects and all varieties of both commercial and non-profit theater, from big Broadway musicals performed in Times Square, to the most unique forms of entertainment performed off-off Broadway on the Lower East Side, as well as productions all over the country and all over the world. Together they see thousands of productions, and, without being paid or prodded, they write about them.

Ken Davenport, founder of the ITBA, said, “The Association was formed out of a desire to provide structure to the quickly growing theatrical blogosphere, as well as to give the new media voices a chance to recognize excellence in three of the very distinct theatrical markets that make up the New York City theatrical landscape: Broadway, Off-Broadway and Off-Off Broadway.”

In true “new media” style, there will be no live awards ceremony for the ITBA Awards. Instead, there will be a virtual awards ceremony, with video acceptance speeches for the winners posted electronically in the coming weeks on ITBA’s website, www.TheaterBloggers.com.

Wednesday, May 27, 2009

Billy Elliot

Welcome back to this week's edition of "Another movie-musical that disappointments me!" Today's show features intense bleaching of dark themes, feather-light songs, and repressed homosexuality turned not-so repressed.

It's been a while since I've rushed a show that had a long line, but I wasn't surprised there was one for this show. Billy Elliot sells its student rush tickets two hours prior to the performance for $41.50, and officially bests Shrek the Musical for the most expensive rush ticket I've heard of. Since Billy sells nearly all of its tickets each week, I suppose it's pride that inspires the producers to set the rush rate at this price. To put this in perspective, $41.50 for a Broadway show is not a bad deal. But since we're talking student discounts, the reason such a practice was put into place was so that students with limited funds could experience Broadway for a cheaper rate. Rear mezzanine seats can be bought for this price at nearly any Broadway show.

The lobby of the Imperial Theatre is quite large, so the rush line forms inside, which always makes me happy. I arrived just a few minutes before 5 p.m., and just beat a large group of people that tagged on behind me. Anyone planning on rushing this would be well advised to arrive between 4 and 4:30 p.m. Tickets can be purchased with credit or debit and each person may receive two tickets. The seats are nothing special - rear mezzanine for the performance I attended. The Imperial Theatre is gigantic (it seats 1,421) and the facial expressions of the actors weren't too easy to make out.